An early written account
Wang Dayuan’s Daoyi zhilüe describes the Banda Islands within a wider maritime world. This fourteenth-century Chinese account places the islands in written records long before European vessels reached them.
Nutmeg connected this small Bandanese island to distant ports. Follow the people, trade and conflict behind the familiar story of Run and Manhattan.
Read the island’s story

The chart divides Banda into nutmeg plantations. Its grid turns a living landscape into production.
Run, labelled P. Roon, sits alone at the far left.
Straight boundaries cut Banda Besar into legible parcels.
Plots, forts and coastlines are recorded. The people who lived, grew and traded here are not.
Wang Dayuan’s Daoyi zhilüe describes the Banda Islands within a wider maritime world. This fourteenth-century Chinese account places the islands in written records long before European vessels reached them.
Bandanese growers trade nutmeg and mace through Javanese, Malay, Bugis and Arab networks. Councils of orang kaya govern without a king, and the islands sell to whom they choose.
Nathaniel Courthope arrived at Run with thirty-nine men. The island’s orang kaya entered an English alliance as Dutch pressure tightened. English and Bandanese defenders resisted a VOC blockade for more than four years; Courthope died before the defence ended.
The VOC campaign under Jan Pieterszoon Coen broke Bandanese resistance. Leaders were executed and most of the population was killed, enslaved or driven from the islands. The monopoly was built through removal.
The Treaty of Breda left the Dutch holding Run and England holding New Netherland. No clause literally exchanges Run for Manhattan; that familiar shorthand compresses a larger and more violent settlement.
French efforts to cultivate nutmeg in Mauritius gather pace. Moving the trees also means learning how to keep them alive and productive. Later introductions elsewhere widen cultivation beyond Banda, while the wider colonial plantation economy continues.
Nutmeg grows on Run again beneath kenari shade. The island is not a punchline about Manhattan; it is a living Bandanese place whose history asks who is allowed to name, trade and profit from origin.
This chronology is a doorway, not the whole archive. For wider histories, continue with Willard A. Hanna, Indonesian Banda; Amitav Ghosh, The Nutmeg’s Curse; and the Nationaal Archief charts reproduced above.
Keep the people in the story.
Following a material means keeping its people, choices and history in view, alongside the route it travelled.
See what this asks of the house